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Skydiving punks and YouTube as an archive: Crack Cloud on its fourth album’s visual universe

26 September 2024

At Sonar+D festival, IED advances the dialogue between technology and art

A new music video for Mabel from David Wilson and Buck “rewrites” the concept of sin

Alice in Wonderland but make it Khruangbin: Inside the video for the band’s single May Ninth

Tal Uliel blends analogue and digital techniques in his new animation for instrumental artist Soul Supreme

29 January 2024

Studio Moross releases “bombastic” brand for a League of Legends boy band

13 December 2023

Surrealism, augmentation and a steady rise of AI among D&AD’s trends for 2023

It takes two: the secrets of enduring creative collaborations

26 September 2023

DHMIS’ Charlie Pelling on the visual universe behind cartoon indie band, Dirty Nice

7 September 2023

Smuggler director Andre Muir on how his video for Mick Jenkins tells a story of toxic masculinity

Adam&EveDDB, Mother and Division all awarded at this year’s D&AD ceremony

Curated wants to put a new pool of UK directorial talent in front of agencies

Brian Roettinger wants to induce discomfort with Kesha’s Gag Order artwork

Raman Djafari creates a frenzied dystopia for Ashnikko’s latest music video

How “indulging in absurd thoughts” fuels Francesca Colombara’s wacky work

22 February 2023

The power in giving unseen stories a platform, with Anna Fearon

25 January 2023

Videos from Doechii and Apple among Vimeo’s top picks for 2022

18 January 2023

Irina Rubina animates freewheeling bebop rhythms for Miles Davis’ cover of What’s Love Got To Do With It

18 January 2023

Unheard Bob Dylan track released with work from Magnum photographers and Anthony Burrill

17 January 2023

How do you get José Mourinho to be in your music video? KLVDR reveals all

12 January 2023